Restoration in Painting Techniques

Passage Véro-Dodat

During its construction, nothing was spared to make this gallery magnificent : compartmented marble paving, painted ceilings with mythological subjects framed in gold moulding. However, the gallery had not been touched for 175 years and was considerably tarnished. No over-painting or cleaning had ever been carried out, even though the passage had been through a fire in the mid nineteenth century. The ensemble was in a terrible state. The work in the Gallery Véro-Dodat is an example of a complete restoration project, combining classical techniques used for paintings on canvas with those used for mural paintings. The contingencies of pollution and climate had made the task all the more complex.

Passage Véro-Dodat – Paris Ier

Architecte B.F. : A. Coulon /  Conservatrice : C. Piel

Maître d’oeuvre : R. Bernadac / Braun et Associés

Our Workshop for the Restoration of Paintings