Empire Décor: Innate Accuracy


Each era has its own identity in decoration. The decorative arts, and namely painted décors, bring together various specialities: colour, fillets, ornaments, painted scenes, grisailles and textural imitations.


Paintings in trompe l’oeil marble and wood, faces, flowers, always have to be interpreted in light of a certain era, and must be rewritten according to the decorative grammar of that period. To ignore this would be a terrible mistake. We therefore endeavour to go beyond simply copying nature, and strive to complete our realisations according to their period. This imposes the strictest criteria when choosing the hands, supports, techniques and models. For the Empire period, the decoration techniques used for faux marble and wood have a strong graphic character that primes over realism.

 

The Empire Décor

Rue Galilée et rue d’Alger - Paris

Decorator : Pierre-Hervé Walbaum

For this project on the rue Bonaparte, all work on documentation, research in tonalities and patterns called for thorough stylistic studies. Accompanied by Pierre-Hervé Walbaum and his client, a collector and lover of the Empire and Directeur styles, we took the time to visit other hotels and châteaux that are points of reference.  One colour was found in Compiège, another at La Malmaison, the red in a frieze came from a painting by David and the yellow for the salon from a porcelain tea-set belonging to Joséphine.


An Address and a Décor in Perfect Symbiosis

We brought all these colours together from a chart that was used as a guiding line for a project. Painted elevations and samples enabled us to visualize the apartment on both a global scale and in detail.


After the important stage of conception, it was easy to manage the sixteen rooms we were to work on. We were careful to combine precision and organisation, and able to live up to what is expected of the greatest of decorators.

Rue Bonaparte - Paris

Decorator : Pierre-Hervé Walbaum

Architect : Mathieu Joulie